Wednesday, August 28, 2019

[Discussion] Joker Movie



There has been so much discussion and hype for the new Todd Philips film set within the DC Universe, but not within the DCEU. The new film, Joker starring Joaquin Phoenix as the leading role of one of the most famous villains in the world, straight out of Gotham City and the world of Batman.     

This film has already caused much debate amongst fans about whether this movie is going to be as good as the hype around it. Some fans think that it's going to be an incredible film (myself included), whilst there are those that believe this film is both unecessary, and unfitting of the character. However in this post, I'm hoping to at least shed some light on what I think this film is, and is going to be, as well as what it means for the future of comic book movies. So let's get started.

Let's start this discussion with a high note, and I'll try to end it on a high note as well. So to begin, let's talk about the leading man, Joaquin Phoenix.

Joaquin Phoenix is a phenomanal actor, known for his roles in award winning films such Gladiator, Her,  & Walk The Line. He has always excelled in his roles and stood out amongst the cast of the films he's starred in, because he takes every one of his roles seriously and doesn't just play the characters he's cast as, he delves deep into their very being and becomes those characters. As a method actor, he is experienced in bringing his roles to life with whole new levels, and this film is proving to be a whole new level indeed.

News spread from behind the scenes that Joaquin was hesitant about accepting the role because of the character being such a huge deal in the world for fans, and because he wasn't interested in a comic book movie. However, after Todd Philips pitched the film to him as a character study of what a man like Joker would come from in the real world rather than being in a world of your usual comic book movies.

One thing people need to remember about this film, is that it is not your every day comic book movie. It's a low budget, character study about the real world, with the characteristics of Joker added in. It's an origin story, yes, but it's not an introduction film to a wider universe. As far as we are aware, it's a single film, bringing the characters from the pages to the real world, in a somewhat similar way to Nolan and Ledger's Joker but, this time, we are forgetting all about the Batman, forgetting all about heroes, and delving deep into a world of insanity and chaos.

From the latest trailer, which dropped today on Wednesday 28th August 2019, we seem to be getting a film that not only brings the Joker to us, but it brings us to the Joker. It appears that we will see Arthur Fleck fall further and further into insanity, so that we get to watch this character evolve as his world begins to fall, and as his eyes begin to open up to a world where he will once again be happy, amongst the chaos and anarchy that he introduces to Gotham City.

A major issue for fans of the character, seems to be what has been said many times over the years, which is "Joker doesn't need an origin story". The fans that are saying this are absolutely correct, because the Joker doesn't need an origin. One of the greatest things about this character is that he is a complete mystery. He's even too insane to remember his own origin, and has stated in 'The Killing Joke' that if he was going to have an origin, he'd prefer it to be multiple choice. This makes him unpredictable and fascinating, because our heroes then have nothing to use against him as they do their other villains. There's no real mental weakness for the Joker's character, and although one of the most famous Joker stories ever written was an origin story, it has long been argued that it isn't canon and therefore is redundant as an argument against the Jokers true origin.

Alan Moore's 'The Killing Joke' has been adapted into an animated movie, and fans adore it as a story, but the point remains that Joker doesn't need an origin. However, what the new Joker film, by Todd Philips offers is more than just a regular origin story. As stated above, the film was pitched as a character study. So forget about origins, forget about comic book references, this film, whilst it is indeed an origin story of sorts, isn't actually about the origin. The focus of the film is 'What a man like the Joker would be like in the real world'. Don't go into this movie and expect to sit down for your regular cliché comic book movie. This film aims to take comic book movies to a whole new level, by taking out all of the over the top sequences and effects, to bring you something raw and realistic beyond compare.

As twisted as the Joker is, this film might even feel relatable to those who feel like the world is rough and closing in around them. Hopefully there won't be anyone influenced by the movie to go to the lengths that Joker does, but the fact that it will be relatable will add to it's success, because this film will feel very real, and almost like a documentary or biopic in some ways. We all have bad days when the world feels hard, and life seems tough, and this film will portray the extremes of that which will bring the character of Joker to life.

Let's move on to budgeting. This film is a low budget film, which is pretty much a first in this day and age where all comic book related movies have million to billion dollar budgets with lots of CGI, big action sequences and effects galore, whereas this film, strips all that away and proves that a film can still be a film without the big fancy effects.
     I think this film will bring the world of comic book movies into a bright new future where we will get more personal low budget films that concentrate on the story rather than the appearance of the film. This film may not be a great comic book films to some fans who want what we always get with this genre, but it will be a incredible film none-the-less because it's fresh, and lots of care has been put into the film.

Crime, laughter, violence, insanity and much more have been forged together to make this film which makes up it's titular character and the world around him. Is it a DC film? Yes, but that doesn't mean it has to have everything you expect. This film is focused on one character, and one character alone. So, before you go see this movie, and before you decide to boycot this film in any shape or form, you need to forget Batman, forget the comic book Joker, and forget the previous portrayals of the character. This isn't about them, it's about Arthur Fleck. Don't think of this film as a comic book movie. I don't because it won't feel like one, and it doesn't have to. This film will be a work of art and dare I predict that in my opinion this film will be a masterpiece of cinema, which I hope others will follow and create more personal films like this.

Todd Philips has already stated that some fans will hate this movie, and that's fine. If you don't like it, it's understandable because we all know the Joker, and this isn't the Joker we know. Philips claimed that they didn't use any reference material such as specific comic books etc although the trailers show that there is plenty of comic book references in there such as Arthur Fleck wanting to be a comedian just like Joker in 'The Killing Joke'. There's also the matter of being on the talk show which is reminiscent of 'The Dark Knight Returns' and so there is already so much to love about what this film is bringing to live action that other films have not yet done.

Another theory is that this portrayl of Joker is not the 'actual' Joker and that this character will be the influence to the Joker character we know and love. My issue with this series is that a lot of people saying this are the same people stating that Joker doesn't need an origin. So why would he need an influence? He's completely insane and void of almost any emotion, so why would he need an influence or reason to become the Clown Prince of Crime.  This theory revolves around the fact that the small child seen in the first teaser, was confrimed as Bruce Wayne, and so the age difference would be too great by the time Batman comes to Gotham. My argument is this:

Why do we need the Batman?

I get it, the Joker is Batman's most famous villain. He has been for years and he is forever crossing paths with the Bat, but this story doesn't need Batman. Think of it as an elseworld story. Imagine how horrifying a world with the Joker would be without the Batman to stop him. That is what this film seems to offer to us. What will the world be like with a man like Joker and without a man like Batman to stop him. He's free to wreak havoc and no one can stop him. That is why this film will be so good! Fans need to learn to experience more than they're used to. Step out of your comfort zone and experience something new, you might enjoy it! Again, if you don't, that's fine but don't slam it becuase there are plenty of people who will enjoy it.

October cannot come fast enough in my opinion. This film will be amazing and will change the way comic book movies should be approached. I'd love to see films like based on more of the DC characters such as Dr. Johnathan Crane (a.k.a. Scarecrow) set inside Arkham Asylum as he progresses through his experiments whilst battling his own fears, or maybe a story about Batman that explores him transcending through his parents murder into a vigilante. We've had a similar story playout through the series Gotham with young Bruce Wayne portrayed by David Mazouz, but a dark in depth film could work. Not all fans want them, but a lot of fans do. I think there's an opportunity here to really put these characters on the map of cinematic legends, and I predict that this Joker film will be nominated and possibly even recieve an award. Comic Book films are not known for awards, but a film like Joker with actors like Joaquin Phoenix and Robert De Niro are going to be hard to ignore.

Joker is released in Cinema's on October 4th and you can watch the Trailers for the film below!

Teaser Trailer:


Trailer:





Sunday, August 18, 2019

[Review] Krypton Season One, Episode 3 - The Rankless Initiative



The story of Seg-El continues as we see what happens now that our trio of unlikely heroes, Seg-El, Adam Strange and Kem, have discovered one of Braniacs scout parasites. The story picks up right after where we left off in episode two, as Seg and Adam take the scout shell to the Fortress of Solitude to seek the help of Seg's grandfather Val-El, who tells them all they need to know about what they've found.

Val-El, Adam Strange and Seg-El in the Fortress of Solitude

This episode gives us a time jump to show us what has happened with brainiacs little scout just three days prior, as the mystery begins to reveal itself about where the parasite is now, which will eventually lead to Kryptons, and Kandor's impending doom of destruction and enslavement.

Seg-El, Adam Strange and Val-El begin to form a plan in order to find the parasite but not before a bit of drama between Seg and Lyta-Zod about her recent fight to the death with her former Captain, due to a disagreement about the Rankless Initiative which gives this episode its title. Though it seem that the initiative has not been stopped so easily as we soon see The Voice of Rao talking about it with Daron-Vex who continues, along with his daughter Nyssa-Vex, to reamain a troubling duo for our hero Seg.

The performances of all the cast remain completely solid as the characters evolve and grow either more heroic or more menacing. Daron-Vex (Elliot Cowan) continues to be a strong leader, with the coward only being portrayed whilst he is in the presence of The Voice of Rao, which gives the still mysterious and very creepy character of The Voice of Rao, a true menacing power over the other characters.

For Lyta-Zod, this episode is all about what is demanded from her peers, and what she believes is right. As the new commander of the law enforcement, she has her orders to take her officers to the rankless slums where Seg-El and Kem live, but she also now has the power to avoid what her previous Commander would have let happen, which is the slaughter of innocent bystanders. However, it appears that her soldiers still find a way to use force, and this causes drama between Lyta and Seg. Once again, Lyta has to choose between what she is ordered to do and what she believes is right.

Lyta-Zod and her mother Jayna-Zod
This episode concentrates less of Superman lore and more on the planets operations from it's corrupt ranked members, to its trigger happy law enforcements to it's innocent rankless, and everything in between that make the planet feel like it's already doomed to be destroyed, not by some off world alien but by it's own inhabitants. There are those willing to do what is right and that gives us a sense of heroism for charcaters like Lyta and Seg, who are doing all they can to keep the peace in these troubling times.

The law enforcers abuse their power over the rankless

The writing of this show is spot on with plenty of drama and action to keep us as an audience, fixed to our screens wanting more with every second that passes. It provides a very realistic civilization that feels human, although more advanced with it's time which makes us remember it's still sci-fi.

If there's one thing I love about this show, it's the design of it all. From sets, to props, and of course costumes. The law enforcement feel like the Stormtroopers of Star Wars but differ enough to stand as their own characters. The costumes for them look awesome and feel very intimidating which is exactly how it should feel especially when in the presence of the rankless, who wear rags. It also makes them appear and feel less human which is always scary, as the masks make them void of any emotion, so that we cannot see if they have any regret or remorse for their actions. Seg's costume portrays his ranked upbringing, despite having lived in the slums for many years, which makes him stand out.

Kryptons Law Enforcement
Seg's new mission is to now save his planet, whilst also trying to save his friend, who is now under the control of Brainiac. Though we have still seen very little of the green intelligence collector himself, his influence and presence is felt in this episode, and it is terrifying.

The answer to Krypton's question 'Is there other life in the universe?' has now been answered, but the high council still have no idea what's coming.

Seg Confronts the host of Brainiac's parasite

This episode gets an 8/10 from me mostly for it's well written, hard hitting drama that helps us see the many dimensions of each of the focal characters. We see Lyta's caring side, whilst also getting a glimpse of her rebellious and commanding side. For Seg, we see his heroic side shine a little more with his determination to save whoever he can rather than simply eliminate them for being under the control of someone else, which is something that would make us all question what is right. There wasn't much action in this episode but it does prove that there doesn't need to be in order for it to be exciting.

Saturday, August 17, 2019

The Curse of DC Television Shows

Recent news has broken of the latest DC / Comic TV show to be cancelled, resulting in another sad day for fans. Krypton is the latest show to be cancelled after a short lived two seasons. The news comes because apparently the audience ratings were lower than expected.


Krypton is the most recent comic book adapted television show to be cancelled by their studios or networks either due to low audience ratings or issues with production. Shows such as Swamp Thing, Happy!, and Lucifer (although it was picked up by another network) have all been victim to these cancellations along with many other shows. However, each one has recieved backlash from fans for the cancellations with many fans starting petitions to renew the shows or even have characters brought back via appearances in other shows such as Constantine, played by Matt Ryan, becoming a series regular in DC's Legends of Tomorrow after his show was cancelled.

Constantine (Matt Ryan) & Sara Lance (Caity Lotz)
So what's been going wrong?

Although we know nothing can really be done about audience ratings, although I personally don't think these shows get as much advertisement as they deserve. I heard about Krypton on Social Media, and didn't see a single advertisement on television though I suspect they appeared specifically on the channel on which the show was aired (SyFy). However I think that shows like this need to reach a larger target audience, and I believe the best way to do that is by using streaming services such as Netflix or Amazon Prime and other services like them. This way the studios can reach the target audiences they need. Just look at shows like Stranger Things, because that probably shares a similar audience to the comic book franchises and that has done phenomonally well due it being on Netflix.
     I myself don't watch television nowadays, and so I don't see any of the advertisements for new shows unless they appear on my twitter feed, so maybe the networks need to explore more ways of advertisement for those of us who have ditched the old ways, so to speak.

In regards to the other shows that seem to have been cancelled due to production issues, it feels like the studios don't understand how important these shows are to the fans. Characters like Swamp Thing, Constantine, Lucifer etc. are all characters that get very little time in the spotlight. There have been movies previously for Constantine and Swamp Thing which recieved somewhat negative reviews due to not being as closely adapted as fans wanted or for poor production visuals, although the issues with production probably came from the time in which they were made because CGI effects, practical effects have evolved incredibly over the years in both film and television.
     TV shows now have the production budgets of low budget films to some extent so we have all the opportunities to bring the world of comic book movies to life, and if these recent shows have proven anything, it's that the people working on these shows have done just that, brought the comics to life and audiences are loving the shows so far.


I've heard nothing but great things about Swamp Thing, and I've recently started watching Krypton and so far it's been a great show. I've enjoyed the idea of seeing Superman's home planet before Kal-El even exists because it gives us whole new stories that can't be viewed as poor adaptations to the stories we already know and love. Krypton has been adapting some of Superman's greatest villains, and we didn't need to see any of Superman to make it work.

Are comic book TV shows just doomed from the start?

DC recently released Titans earlier this year (for Netflix viewers), and that show has not only been renewed for a second series, but it also spawned the Doom Patrol series which has also been renewed for a second season. However, can we expect them to continue for much longer with the way things have been going for these types of shows?


As fans we can only hope another network picks these shows up so that we can continue to see them thrive and evolve into something even greater. Hopefully Titans and Doom Patrol can continue to entertain audiences and producers enough to stay alive at least until there's a memorable story arc which is finished properly and not leaving fans with thousands of questions. These shows deserve the chance to shine because they're important to us as fans, because they explore stories and worlds we haven't seen yet, with enough familiar material for us to appreciate what we have been given.

What are your thoughts on the cancellations of these types of shows?

Are comic book shows doomed to be short lived all the time?

Which one(s) would you save?


Friday, August 16, 2019

[Review] Krypton Season 1, Episode 2 - House of El



Episode two shows the story of Seg-El begin to unfold, as he comes closer to becoming a member of the House of Vex, which would truly see the extinction of the House of El. However, Seg-El is not quite ready to let his family crest be forgotten, and neither is Adam Strange, the Earthling time traveller who warns Seg-El about the impending approach of the merciless world collector, Brainiac.

Seg's relationship with Nyssa-Vex however proves to be becoming quite strong as she appears to aid him with his personal dilemmas such as his parents demise and not being allowed to give them a traditional burial.
     Nyssa-Vex, portrayed by Wallis Day, is a beautiful high class Kryptonian, who appears to be very two faced. Portraying herself as a caring, with hopes for her future with Seg, she is soon revealed to be plotting with her father against the her suiter.  After all, she is the daughter of Daron-Vex (Elliot Cowan) who is the voice of the council, who sent Seg's grandfather, Val-El (Ian McElhinney) to his execution. Daron-Vex seems to be doing everything in his power to rid Krypton of the House of El bloodline, and convince everyone that there is no threat, and no other planets.

Seg-El (Cameron Cuffe) & Nyssa-Vex (Wallis Day)
 Similar to us mere humans, Kryptonians seem to believe that they are the only life in the universe. This is why Val-El, Charys-El, and Ter-El were all executed, leaving Seg as the last of his bloodline. Though he now seems more determined than ever to remain known as a rankless member of his former family, rather than become a Vex.

Seg-El & Val-El (Ian McElhinney) in the Fortress of Solitude

We are treated to more classic tropes and nods from the Superman mythos as Seg-El discovers his grandfathers hologram in the Fortress of Solitude, but not before he realises that his blood is what makes the machine operate, and when he connects his blood with the machines surface, we are treated to a stunning visual of the familiar 'S' symbol again, but this time it is lit up with the classic colours of red and yellow, creating a great visual effect for the series to treat fans to.


Adam Strange, along with Seg's best friend Kem (portrayed by Rasmus Hardiker) travel on a little mission of their own to see how long they have left until the fearsome Braniac arrives, only to discover he is closer than they feared, leaving very little time for the heroes and the rest of Krypton to prepare. So far, the setting of Krypton has been focused on the city of Kandor, which as Superman fans will know, is the city that lies miniaturised in Superman's Fortress of Solitude after he defeated Brainiac. Therefore, Kandors fate in this show could very well be full of doom, as the team of unlikely heroes discover that Brainiac is no longer close by, because he's already here!

This episode had more great action and drama following the story a little more of Lyta-Zod, who decides that she no longer agrees with her Captains ideas, as the soldiers begin to equip themselves with bigger guns, in order to terrorise and execute the rankless living in the slums, should they show any sign of being involved with what is known as Black Zero.
     Lyta-Zod opposes this idea due to her love for Seg, and so she attempts to talk to her commander, and her mother, but with no luck she is left with little choice. She decides that the best way to stop the soldiers, is to command them, and so she challenges her Captain for the right of command, which in traditional Kryptonian fashion, means a fight to the death. This fight is when we see Lyta-Zod evolve from the young caring love interest, into a strong independant woman who is not to be messed with and most certainly should not be underestimated.

Lyta-Zod takes comand

Overall I give this episode a 8/10 because it's still feeling a little unexplored, but then again I suppose it's a series that's more for fans of the Superman mythos, whereas I have little knowledge on the rest of this universe and it's characters, but it is still very entertaining and there is a lot yet to be answered as we move through this series. My issues lie mostly within some of the characters feeling a little dull, but not to say that they won't become interesting, it's just that I personally like to get to know certain important characters as soon as possible, and this show is leaving a lot of questions for me which may or may not be answered. Only time will tell.



Thursday, August 15, 2019

[Review] Hellboy Animated: Iron Shoes - Short


Introduction:

In 2006, following the success of the live action Hellboy film by Guillermo del Toro, it seems as though the cast weren't quite finished playing their roles in this universe of dark, lovecraftian and folklore horror, and decided to reprise them, or at least their voices, for Hellboy Animated: Sword of Storms, which also turned out to be successful, and so there were two other Hellboy Animations produced. One was a feature length called Blood & Iron and the other was a short animation called Iron Shoes, based on the comics of the same name. These animations would soon prove helpful in the promotion of the upcoming Hellboy sequel 'Hellboy 2: The Golden Army' with many of the main cast returning such as Ron Perlman as Hellboy, Selma Blair as Liz Sherman, and Doug Jones as Abe Sapien.

Iron Shoes was included as a special feature on the home release DVD of Hellboy Animated: Blood & Iron.

Review:

The film opens up with Hellboy visiting a ruined tower, whilst an voiceover speaks over the top, which is presumably the man who sent Hellboy on this mission in the first place. Ron Perlman reprises his voice for the protagonist, as Hellboy discovers an odd creature lurking in the shadows of the ruins. This creature is apparently based upon the English folklore of 'Red Caps'.


Red Caps are small, murderous goblin creatures who hide away in ruins of castles and is called Red Cap for it's famed act of dipping it's cap in the blood of it's victims, staining it red. Mike Mignola gave a short introduction at the beginning of this short film (as I'm watching this on the Blood and Iron DVD Special Features) and tells us that he replaced the 'red cap' with 'iron shoes' because he simply preferred the title 'The Iron Shoes'.
     He also admits, that he believes The Iron Shoes is complimented more as an animation than the story was as a comic book.



The art of the animation is great as it adapts some of the famous art style of Mike Mignola's original comic books, using deep shadowing when he enters the ruined tower, leaving only Hellboys eyes a bright yellow upon his face.

Not much else can be said about this as it really is only a short animation, with a run time of around 3 minutes. This is a fun little action short that gives you some idea of what the feature length animations are like. Rating this along with the other would be unfair, so I'll sign off by simply stating that this animation is really cool, and adds that little bit extra to the Hellboy universe.





[Review] Krypton Season 1, Episode 1: Pilot

Krypton is set two generations before the birth of Kal-El (Superman), following the story of his grandfather Seg-El, from the fall of the House of El when Seg was but a child, to the the aftermath when he becomes a young man, living in the slums of Krypton with his mother and father.
     Seg is visited by a time traveller from Earth, who warns him of Kryptons impending doom, and the threat it holds for Seg's grandson, the famous Superman of Earth. Seg discovers his grandfather's secret, and his destiny becomes clearer. An evil force approaches Krypton, collecting worlds to increase it's knowledge.



The first episode is of course an introduction to our leading character, Seg-El (portrayed by Cameron Cuffe). Seg-El becomes somewhat of a trouble maker after the execution of his grandfather by the council of Krypton, getting himself into bar fights with the Krypton's law enforcement, staying out after curfew and so on, but it's easy to see through Cuffe's portrayal that Seg has a heart of gold. Standing up for the little guy, and doing what he believes is the right thing to do to help his now rankless family. Cameron Cuffe is charming, tough, and full of witty humour, which makes his character so enjoyable to watch. You really sympathise with his character and want him to do everything he can just to win.

Cameron Cuffe (Seg-El) and Adam Fielding (Cadet #3)


The other cast members haven't quite had time to shine as we only see small scenes of them to quickly introduce us. However, there is a clear line between who, as an audience, we should love and who we should hate as a character. Rupert Graves and Paula Malcomson have a great chemistry with Cuffe to form the the small dwindling family of El, with Graves portraying a very stern Ter-El who worries about Seg's future as a man, whilst Malcomson portrays a loving and concerned Charys-El who worries more about the little details such as his recent cuts and bruises, showing a somewhat stereotypical family setting even on Krypton, proving that despite being an advanced race, the Kryptonians are very relatable as people for the audience to enjoy watching.

Paula Malcomson, Cameron Cuffe & Rupert Graves

Georgina Campbell portrays Lyta-Zod, the beautiful love interest of Seg-El, and daughter of the very tough and brutal Jayna-Zod, who is portrayed by Ann Ogbomo. Jayna-Zod feels very much like the Zod we know from your typical Superman stories, seeming almost emotionless and putting her duty above all else, proven in the training scene where she stabs a blade through her own daughters hand as a lesson.
     Lyta-Zod however, appears to be a contrast of her mother, as she cares for people and has plenty of emotions, which she chooses to share with Seg-El, especially in the private. On Krypton, marriages are chosen for their people, with daughters and sons being deemed suited for one another by their parents, usually the highest ranking parent with acceptance from the council, so Seg-El's and Lyta-Zod's affections for one another, are surely as doomed as Krypton will become.

Ann Ogbomo & Georgina Campbell

This episode contains some great nods to the Superman franchise we know and love, as we get to see a version of the Fortress of Solitude, as well as hear the famous Superman theme tune in the soundtrack as we see the 'S' symbol for the House of El on the outside of the fortress. This added a great sense of joy to the scene as Seg-El discovers his grandfathers big secret, as we know what the future will hold for Seg-El in the long run, and yet the near future remains a mystery to us.

Symbol of the House of El
This pilot episode has everything a good pilot needs, which includes a strong introduction to the characters, a great score, plenty of action and heavy drama which sets the hero on his journey and helps the audience feel strongly about the protagonist. There's also plenty of mystery behind the Voice of Rao character, and more questions about Seg's future on Krypton that will keep you wanting more.

Overall I'd give this pilot a solid 4/5, with one point being lost due to some of the characters feeling like they didn't get explained or explored as much as they should have, but that's just my opinion.

 I can't wait to learn more about this show and it's characters, as well as get into some real action with the big bads. Onto the next episode!


Monday, August 12, 2019

[None Spoiler Review] Hellboy 2019


  
Introduction/Brief History:

Hellboy is a dark, gothic, cosmic horror style graphic novel series created by Mike Mignola, who originally introduced the character in Dime Press #4 (May 1993) which was an Italian exclusive comic series. However he was first introduced to the rest of the world in San Diego Comic-Con Comics #2 (August 1993). It's primary character, known as Hellboy or by his demon name Anung Un Rama, is a large red devil-like character with a heart of gold. He is actually a creature known as a Cambion which in European Mythology, is the offspring of any demon, be it incubus, succubus or other type, and a human being. To put it simply, Hellboy is actually only half-demon, which means he's also half-human which probably helps explain his appearance.

In 2004, Mexican Filmmaker, Guillermo Del Toro, brought his vision of Hellboy to life starring a brilliant cast including Ron Perlman as Hellboy, John Hurt as Professor Trevor 'Broom' Bruttenholm, Selma Blair as Liz Sherman, and Doug Jones as Abe Sapien just to name a few. This film proved to be a huge success as it even recieved a sequel four years later with Hellboy 2: The Golden Army (2008) with some of the main cast returning for their leading roles. Since 2008 however, there has been no live action adaptations of the character although many fans, along with Perlman and del Toro themselves, tried to get a third film made, which would have seen Perlman reprise his role as Hellboy. Sadly this never came to pass, and the years went by without Hellboy, although Ron Perlman did reprise the role in voice only for the two animated films 'Sword of Storms' (2006) & 'Blood and Iron' (2007), a video short called 'Iron Shoes' (2007) and in the videogame 'Hellboy: The Science of Evil' (2008).


 Fast forward to 2017, with the rise in popularity of shows like Stranger Things bringing us new faces to our screens with shed loads of talent, and we have a recipe for new ideas and visions. Mike Mignola himself announced a new, rebooted Hellboy film, which might not have been what audiences and fans of the Guillermo del Toro films wanted to hear, but it was still very exciting news because we were going to be a getting a darker, grittier, gorier adaptation of the character and his world, with Mignola himself work on it closer than he had done for the previous films. David Harbour would be taking on the role of the half-demon this time and when the first image of his new look dropped, I think it's safe to say that expectations soon flew sky high because Harbour looked badass as the wielder of the Right Hand of Doom!

This film also cast famous names such as Ian McShane (John Wick, Lovejoy, American Gods) as the new Professor Trevor 'Broom' Bruttenholm, and Milla Jovovich (Resident Evil, The Fifth Element, Dazed and Confused) as Nimue The Blood Queen. This film was already shaping up to be a great film with lots more in store for those of us who are fans of the character and the graphic novels.

April 12th 2019 soon came around and 'Hellboy' was released! I couldn't wait to see this film at the cinema, and I was not disappointed...but it seemed that some people were, though I cannot entirely fathom why. I think this film is underrated but let me talk more about that later. For now, heres the review.

Review:

The film opens with an introductory sequence as expected, giving us a little bit of background history on some of the characters, but not Hellboy. The opening sequence on the film concentrates on Nimue the Blood Queen, and her story of vengeance. The scene is accompanied by a voice over from Ian McShane which due to the writing of the film is somewhat comedic with lines such as "The year is 517 A.D. known as the Dark Ages...and for fucking good reason!". This was the first line in the film and I already knew we were in for a treat with this film. The black and white filter over the gory imagery helped keep the tone of 'the dark ages' as we watch the story unfold.

As Nimue arrives on screen we're treated to a very Sin City-esque style as the majority of the image is filtered into a monochrome whilst Nimue's flowing red cloak shines through, no doubt representing the emphasis of 'blood'.


The story continues to unfold as we are soon introduced to a fiery title card, followed quickly by our leading character arriving in Mexico. This introduction to the protagonist is influenced directly by the graphic novel titled 'Hellboy In Mexico'. In this story set during the 1950s rather than the films modern day setting, Hellboy caravans across Mexico with a trio of vampire-killing luchadores, finding the undead; a bat god; and of course they wind up drinking a lot of tequila.
     In the film, there is no trio of luchadores, but there is a luchadore wrestling match happening, which soon escalates into our first look at the creatures of this film, as a large bat creature graces our screens and it is awesome looking! The CGI in this film isn't the best but it's certainly spectacular. The creatures don't look entirely computer generated and blend well with the rest of the visuals on screen.


The relationship between Bruttenholm (Ian McShane) and his 'son' Hellboy (David Harbour) somewhat differs from the del Toro films. Harbour seems to be more of a stroppy teenager rather than Perlman's disobetiant yet more adult portrayal of the character. We do get to see the infamous filing of the horns that give Hellboy his signature look. Hellboy seems to converse more with his father, whereas in the 2004 film, Hellboy seemed almost reluctant to talk to his father, most likely due to being kept somewhat of a prisoner in the B.P.R.D headquarters instead of being allowed to go out into the world to visit/check up on Liz Sherman. In this new adaptation, it appears that Hellboy and the B.P.R.D are already well established and Hellboy is in fact sent out on more missions than Perlman's version was allowed to go on. Harbours Hellboy seems free to roam where and when he likes, but understands that being seen by the public is dangerous, though that doesn't seem to stop him, and so surely the world already knows about him as he's surely been photographed and tweeted about many times in the past.

Reaching the twenty minute mark, The film transports us from America to England as Hellboy is told to pay a visit to the Osiris Club, a British organization similar to the B.P.R.D (Bureau of Paranormal Reasearch and Defense). During this visti, we are treated to the fimilar origin story of Hellboy himself, which involves a small island off the coast of Scotland, some Nazi's, and a strange ritual to open the gates of hell itself in order to unleash something.
     Here we are treated to a character that was not in the del Toro films, and that character is a vigilante/Nazi hunter known as Lobster Johnson. Fans of the B.P.R.D and Hellboy series will know who this character is, so it was a treat to see him in live action finally, after he was cut from del Toro's Hellboy 2: The Golden Army, via request from Mike Mignola, but was then planned to appear in the unproduced Hellboy 3 with the legendary Evil Dead star Bruce Campbell in mind to take on the role which I personally would love to see as I think Campbell would suit the role perfectly.


This scene is one of the few moments in the film where the speech from the cast seems perfectly timed. One thing I noticed during this film was that a lot of the speech in many scenes, seems rushed, with very little pause between conversations. When once character says something, another responds without time to process the first part of the conversation, which makes the scenes seem somewhat unrealistic (as odd as that is to say about a film involving demons and monsters) as well as it hindering on some of the scenes atmospheres. If it's a comical response, it doesn't come across with good comedic timing, it just feels like a quiprather than a well thought out joke. This isn't to say that the quips and jokes aren't funny. The film is full of great humour which helps lighten the mood of the very gory & horrifying themes and visuals of the film.

New characters are introduced that fans of the comics will recognise, such as Alice Monaghan (Sasha Lane), and Major Ben Daimio (Daniel Dae Kim) which completes this films version of a trinity. Alice is introduced as a powerful medium who can talk to the spirits of the dead, whilst Ben remains somewhat of a mystery, as we see him injecting himself with some form of medicine to help ease his little panicked emotional moments. It can be speculated what this is for but the big reveal happens later in the film during one of the final action sequences.

One thing I came to realise watching this film, is that it isn't entirely full of information regarding it's characters. There's plemty of backstories for each of the main cast whether it's Nimue the Blood Queen, Hellboy, Alice or Major Ben Daimio. Meaning that this film feels very much like it's made for fans who are already familiar with the characters, whilst giving just enough information for new audiences to get an idea of what's going on. For instance there's a scene in which Hellboy is injured, and after awakening to find he's being cared for by someone who's not B.P.R.D, she rips off a bandage to show that his wounds are already nearly healed after a short period of time. Hellboys healing factor isn't mentioned at all previously and so this is the first and only real moment in the film where audiences learn he has a healing ability without it ever being explained.

In comparison to Guillermo del Toro's films, this new Hellboy film concentrates heavily on the use of CGI creatures such as the giant bat like creatures and the many Dark Souls-esque abomination giants that continue to wreak havoc in London. I would have liked to see more practical effects, but with this adaptation being the one that brings us deepere into the world of hellish creatures from the comics, I can understand why they went CGI heavy. Especially with effects such as the spirits that channel themselves through Alice to talk to Hellboy during certain scenes.
     The preactical effects such as Harbours makeup and the scars, blood, and guts etc. are all brilliant and used well within the scenes. Guillermo del Toro used practical effects to bring his whole film in an artistic direction, whilst this version is all about the action rather than the artistic appearance.


The interaction between the cast is always spot on. From Hellboys (Harbour) father & son relationship with Bruttenholm (McShane), to his rivalry with Major Ben Daimio (Kim) which later evolves into a somewhat love-hate friendship, and then of course there's also Hellboys caring nature for Alice (Lane). This trinity helps bring the characters closer together and forms a strong leading team to set up for possible future sequels. However, due to the film not being as successful critically, a sequel might not be seen now, which honestly is upsetting to me as I think there is so much great content to be explored in this world and these characters need their time to shine through and evolve further than they do in this film.

Around the halfway mark and we are finally re-introduced to one of the creepiest characters in the film. We saw a small scene earlier on where she interacts with the Gruagach (Stephen Graham) a.k.a the pig-man creature, but now we get to see more of Baba Yaga and how she moves around, which is using very creepy contortional motions that give her a very broken appearance, to add to her already unappealing appareance.
     This scene also gives us glimpse at how deep into the folklore Mike Mignola's world brings us. In Slavic folklore, the Baba Yaga is said to live in the forest, in a cottage that has chicken legs. This is exactly what we see when Hellboy arrives and the visuals help bring the world alive, which Hellboy later explains is a parallel dimension to Earth.


We finally return to Pendle Hill for the first time since the historical back story opening of the film, as Nimue begins to regain her full power and the final event of the film begins to unfold. Alice discovers a new power to her abilities and Hellboys destiny is revealed in yet another back story that tells the audience how Hellboy was born and that his true name is Anung Un Rama, but not only that, it is revealed that Hellboy is half-human which is the first time we've heard this fact in the film.
     Throughout the film there are multiple references to Hellboys prophecy, about how he'll bring about the end of the world. If you've seen the del Toro films then you have an idea of what this is about. This is where the name Anung Un Rama comes into play which was first heard during the scene in Mexico back in Hellboys opening scene of the film.


As Hellboy attempts to keep a promise, we are treated to a very metal scene. A vision of what Hellboys destiny truly is. This is the first time we see Hellboy with his full horns and fiery crown, wielding the flaming sword. The landscape is representing hell on earth as Anung Un Rama rides a big demonic dragon! This scene is possible my favourite of the film and would be great to see more of, although it serves little purpose other than to reveal to Hellboy and the audience, that his actions to try and save the world could also have dire consequences.


We get our next big fight scene shortly after as Hellboy finally throws down with the Gruagach who is now bigger and more powerful. This is also the first time we discover Daimio big secret. After his backstory on Pendle Hill, it is revealed to us that Daimio became the creature that scarred his face. A Were-Jaguar of sorts that is fast, ferocious and packs a sharp set of claws that can rip and shred his foes.

As the film closes out with a gore fest across London, Hellboy overcoming his true nature in order to be the hero rather than the villain, and the world is restored somewhat to a natural order. Although as mentioned before, there seems to be a nice set up for the sequels to come (or not to come as it now seems) as the finale skips to six months later and our trinity of heroes are on a mission together kicking ass, with a nice little easter egg to finish off the film.

Overall this film is a fast paced, action filled epic for those who are fans of the graphic novels, with plenty of straight from the page adaptations thanks to Mike Mignola's role in the films production. If you wish to read into these stories more, this film concentrates mostly on these particular books;

- Darkness Calls
- Hellboy in Mexico
- The Wild Hunt
- The Storm and the Fury

I really enjoyed this film and really want at least one sequel to give the characters a time to shine now that they have been established. The effects, costume designs, and overall plot were ace, but the film seemed rushed in places with it's writing and it's editing. The film seems to skip through scenes more than it transitions which hinders it's viewing pleasures, whilst the speech also seems rushed as mentioned previously, making the film seem like it's trying to skip over the important details and get to the next action sequence rather than bask in the glory of fine details and plot points.
     Despite it's faults I would say this film gets 4 stars out of 5 from me as it's highly enjoyable, with great humour (when executed properly), incredible gory and horrific visuals that really bring the hell into the world of Hellboy. The cast were all spot on and so was their chemistry on screen together, making a worthy successor to the del Toro films in my personal opinion.

Also a heads up for those who either didn't know or haven't watch the film yet, there are in fact two credit scenes, one in the mid credits, after all the title credits of the main cast etc. and one at the end of the final credits. Check out my spoiler review to find out what these scenes include.

Hellboy is out on Digital Download Now, and will be released in the UK on DVD/Blu Ray on August 19th 2019! 








[SPOILER Review] Hellboy 2019


  
Introduction/Brief History:

Hellboy is a dark, gothic, cosmic horror style graphic novel series created by Mike Mignola, who originally introduced the character in Dime Press #4 (May 1993) which was an Italian exclusive comic series. However he was first introduced to the rest of the world in San Diego Comic-Con Comics #2 (August 1993). It's primary character, known as Hellboy or by his demon name Anung Un Rama, is a large red devil-like character with a heart of gold. He is actually a creature known as a Cambion which in European Mythology, is the offspring of any demon, be it incubus, succubus or other type, and a human being. To put it simply, Hellboy is actually only half-demon, which means he's also half-human which probably helps explain his appearance.

In 2004, Mexican Filmmaker, Guillermo Del Toro, brought his vision of Hellboy to life starring a brilliant cast including Ron Perlman as Hellboy, John Hurt as Professor Trevor 'Broom' Bruttenholm, Selma Blair as Liz Sherman, and Doug Jones as Abe Sapien just to name a few. This film proved to be a huge success as it even recieved a sequel four years later with Hellboy 2: The Golden Army (2008) with some of the main cast returning for their leading roles. Since 2008 however, there has been no live action adaptations of the character although many fans, along with Perlman and del Toro themselves, tried to get a third film made, which would have seen Perlman reprise his role as Hellboy. Sadly this never came to pass, and the years went by without Hellboy, although Ron Perlman did reprise the role in voice only for the two animated films 'Sword of Storms' (2006) & 'Blood and Iron' (2007), a video short called 'Iron Shoes' (2007) and in the videogame 'Hellboy: The Science of Evil' (2008).


 Fast forward to 2017, with the rise in popularity of shows like Stranger Things bringing us new faces to our screens with shed loads of talent, and we have a recipe for new ideas and visions. Mike Mignola himself announced a new, rebooted Hellboy film, which might not have been what audiences and fans of the Guillermo del Toro films wanted to hear, but it was still very exciting news because we were going to be a getting a darker, grittier, gorier adaptation of the character and his world, with Mignola himself work on it closer than he had done for the previous films. David Harbour would be taking on the role of the half-demon this time and when the first image of his new look dropped, I think it's safe to say that expectations soon flew sky high because Harbour looked badass as the wielder of the Right Hand of Doom!

This film also cast famous names such as Ian McShane (John Wick, Lovejoy, American Gods) as the new Professor Trevor 'Broom' Bruttenholm, and Milla Jovovich (Resident Evil, The Fifth Element, Dazed and Confused) as Nimue The Blood Queen. This film was already shaping up to be a great film with lots more in store for those of us who are fans of the character and the graphic novels.

April 12th 2019 soon came around and 'Hellboy' was released! I couldn't wait to see this film at the cinema, and I was not disappointed...but it seemed that some people were, though I cannot entirely fathom why. I think this film is underrated but let me talk more about that later. For now, heres the review.

Review:

The film opens with an introductory sequence as expected, giving us a little bit of background history on some of the characters, but not Hellboy. The opening sequence on the film concentrates on Nimue the Blood Queen, and her story of vengeance. The scene is accompanied by a voice over from Ian McShane which due to the writing of the film is somewhat comedic with lines such as "The year is 517 A.D. known as the Dark Ages...and for fucking good reason!". This was the first line in the film and I already knew we were in for a treat with this film. The black and white filter over the gory imagery helped keep the tone of 'the dark ages' as we watch the story unfold.

As Nimue arrives on screen we're treated to a very Sin City-esque style as the majority of the image is filtered into a monochrome whilst Nimue's flowing red cloak shines through, no doubt representing the emphasis of 'blood'. This emphasis becomes more apparent as Nimue is decapitated leaving pools of blood on the floor which are also brought out from the monochrome with it's dark red tone.


The story continues to unfold as we are soon introduced to a fiery title card, followed quickly by our leading character arriving in Mexico. This introduction to the protagonist is influenced directly by the graphic novel titled 'Hellboy In Mexico'. In this story set during the 1950s rather than the films modern day setting, Hellboy caravans across Mexico with a trio of vampire-killing luchadores, finding the undead; a bat god; and of course they wind up drinking a lot of tequila.
     In the film, there is no trio of luchadores, but there is a luchadore wrestling match happening, which soon escalates into our first look at the creatures of this film, as a large bat creature graces our screens and it is awesome looking! The CGI in this film isn't the best but it's certainly spectacular. The creatures don't look entirely computer generated and blend well with the rest of the visuals on screen.


The relationship between Bruttenholm (Ian McShane) and his 'son' Hellboy (David Harbour) somewhat differs from the del Toro films. Harbour seems to be more of a stroppy teenager rather than Perlman's disobetiant yet more adult portrayal of the character. We do get to see the infamous filing of the horns that give Hellboy his signature look. Hellboy seems to converse more with his father, whereas in the 2004 film, Hellboy seemed almost reluctant to talk to his father, most likely due to being kept somewhat of a prisoner in the B.P.R.D headquarters instead of being allowed to go out into the world to visit/check up on Liz Sherman. In this new adaptation, it appears that Hellboy and the B.P.R.D are already well established and Hellboy is in fact sent out on more missions than Perlman's version was allowed to go on. Harbours Hellboy seems free to roam where and when he likes, but understands that being seen by the public is dangerous, though that doesn't seem to stop him, and so surely the world already knows about him as he's surely been photographed and tweeted about many times in the past.

Reaching the twenty minute mark, The film transports us from America to England as Hellboy is told to pay a visit to the Osiris Club, a British organization similar to the B.P.R.D (Bureau of Paranormal Reasearch and Defense). During this visti, we are treated to the fimilar origin story of Hellboy himself, which involves a small island off the coast of Scotland, some Nazi's, and a strange ritual to open the gates of hell itself in order to unleash something.
     Here we are treated to a character that was not in the del Toro films, and that character is a vigilante/Nazi hunter known as Lobster Johnson. Fans of the B.P.R.D and Hellboy series will know who this character is, so it was a treat to see him in live action finally, after he was cut from del Toro's Hellboy 2: The Golden Army, via request from Mike Mignola, but was then planned to appear in the unproduced Hellboy 3 with the legendary Evil Dead star Bruce Campbell in mind to take on the role which I personally would love to see as I think Campbell would suit the role perfectly.


This scene is one of the few moments in the film where the speech from the cast seems perfectly timed. One thing I noticed during this film was that a lot of the speech in many scenes, seems rushed, with very little pause between conversations. When once character says something, another responds without time to process the first part of the conversation, which makes the scenes seem somewhat unrealistic (as odd as that is to say about a film involving demons and monsters) as well as it hindering on some of the scenes atmospheres. If it's a comical response, it doesn't come across with good comedic timing, it just feels like a quiprather than a well thought out joke. This isn't to say that the quips and jokes aren't funny. The film is full of great humour which helps lighten the mood of the very gory & horrifying themes and visuals of the film.

New characters are introduced that fans of the comics will recognise, such as Alice Monaghan (Sasha Lane), and Major Ben Daimio (Daniel Dae Kim) which completes this films version of a trinity. Alice is introduced as a powerful medium who can talk to the spirits of the dead, whilst Ben remains somewhat of a mystery, as we see him injecting himself with some form of medicine to help ease his little panicked emotional moments. It can be speculated what this is for but the big reveal happens later in the film during one of the final action sequences.

One thing I came to realise watching this film, is that it isn't entirely full of information regarding it's characters. There's plemty of backstories for each of the main cast whether it's Nimue the Blood Queen, Hellboy, Alice or Major Ben Daimio. Meaning that this film feels very much like it's made for fans who are already familiar with the characters, whilst giving just enough information for new audiences to get an idea of what's going on. For instance there's a scene in which Hellboy is injured, and after awakening to find he's being cared for by someone who's not B.P.R.D, she rips off a bandage to show that his wounds are already nearly healed after a short period of time. Hellboys healing factor isn't mentioned at all previously and so this is the first and only real moment in the film where audiences learn he has a healing ability without it ever being explained.

In comparison to Guillermo del Toro's films, this new Hellboy film concentrates heavily on the use of CGI creatures such as the giant bat like creatures and the many Dark Souls-esque abomination giants that continue to wreak havoc in London. I would have liked to see more practical effects, but with this adaptation being the one that brings us deepere into the world of hellish creatures from the comics, I can understand why they went CGI heavy. Especially with effects such as the spirits that channel themselves through Alice to talk to Hellboy during certain scenes.
     The preactical effects such as Harbours makeup and the scars, blood, and guts etc. are all brilliant and used well within the scenes. Guillermo del Toro used practical effects to bring his whole film in an artistic direction, whilst this version is all about the action rather than the artistic appearance.


The interaction between the cast is always spot on. From Hellboys (Harbour) father & son relationship with Bruttenholm (McShane), to his rivalry with Major Ben Daimio (Kim) which later evolves into a somewhat love-hate friendship, and then of course there's also Hellboys caring nature for Alice (Lane). This trinity helps bring the characters closer together and forms a strong leading team to set up for possible future sequels. However, due to the film not being as successful critically, a sequel might not be seen now, which honestly is upsetting to me as I think there is so much great content to be explored in this world and these characters need their time to shine through and evolve further than they do in this film.

Around the halfway mark and we are finally re-introduced to one of the creepiest characters in the film. We saw a small scene earlier on where she interacts with the Gruagach (Stephen Graham) a.k.a the pig-man creature, but now we get to see more of Baba Yaga and how she moves around, which is using very creepy contortional motions that give her a very broken appearance, to add to her already unappealing appareance.
     This scene also gives us glimpse at how deep into the folklore Mike Mignola's world brings us. In Slavic folklore, the Baba Yaga is said to live in the forest, in a cottage that has chicken legs. This is exactly what we see when Hellboy arrives and the visuals help bring the world alive, which Hellboy later explains is a parallel dimension to Earth.


We finally return to Pendle Hill for the first time since the historical back story opening of the film, as Nimue begins to regain her full power and the final event of the film begins to unfold. Alice discovers a new power to her abilities and Hellboys destiny is revealed in yet another back story that tells the audience how Hellboy was born and that his true name is Anung Un Rama, but not only that, it is revealed that Hellboy is half-human which is the first time we've heard this fact in the film.
     Throughout the film there are multiple references to Hellboys prophecy, about how he'll bring about the end of the world. If you've seen the del Toro films then you have an idea of what this is about. This is where the name Anung Un Rama comes into play which was first heard during the scene in Mexico back in Hellboys opening scene of the film. Hellboy is also told by Merlin that he shares a bloodline of the famous King of the Britons, King Arthur himself, which gives him the ability to wield the legendary sword Excalibur!

As Hellboy attempts to keep a promise, we are treated to a very metal scene. A vision of what Hellboys destiny truly is. This is the first time we see Hellboy with his full horns and fiery crown, wielding the flaming sword. The landscape is representing hell on earth as Anung Un Rama rides a big demonic dragon! This scene is possible my favourite of the film and would be great to see more of, although it serves little purpose other than to reveal to Hellboy and the audience, that his actions to try and save the world could also have dire consequences.


We get our next big fight scene shortly after as Hellboy finally throws down with the Gruagach who is now bigger and more powerful. This is also the first time we discover Daimio big secret. After his backstory on Pendle Hill, it is revealed to us that Daimio became the creature that scarred his face. A Were-Jaguar of sorts that is fast, ferocious and packs a sharp set of claws that can rip and shred his foes.

As the film closes out with a gore fest across London, Hellboy overcoming his true nature in order to be the hero rather than the villain, and the world is restored somewhat to a natural order. Although as mentioned before, there seems to be a nice set up for the sequels to come (or not to come as it now seems) as the finale skips to six months later and our trinity of heroes are on a mission together kicking ass, with a nice little easter egg to finish off the film as we see Alice reveal a name plate that read Icthyo Sapien, April 14 1865 (the date in which Abraham Lincoln was Assassinated hence his name 'Abe') , before a familiar looking hand appears on the glass. This is of course the introduction of Abe Sapien (although that particular name isn't mentiones or seen anywhere in this film, he was one of the prominant characters in del Toro's two Hellboy films) into this new films universe, but as previously mentioned mulitple times now, the critical failure for this film seems to have doomed any hopes of a sequel.

Overall this film is a fast paced, action filled epic for those who are fans of the graphic novels, with plenty of straight from the page adaptations thanks to Mike Mignola's role in the films production. If you wish to read into these stories more, this film concentrates mostly on these particular books;

- Darkness Calls
- Hellboy in Mexico
- The Wild Hunt
- The Storm and the Fury

I really enjoyed this film and really want at least one sequel to give the characters a time to shine now that they have been established. The effects, costume designs, and overall plot were ace, but the film seemed rushed in places with it's writing and it's editing. The film seems to skip through scenes more than it transitions which hinders it's viewing pleasures, whilst the speech also seems rushed as mentioned previously, making the film seem like it's trying to skip over the important details and get to the next action sequence rather than bask in the glory of fine details and plot points.
     Despite it's faults I would say this film gets 4 stars out of 5 from me as it's highly enjoyable, with great humour (when executed properly), incredible gory and horrific visuals that really bring the hell into the world of Hellboy. The cast were all spot on and so was their chemistry on screen together, making a worthy successor to the del Toro films in my personal opinion.

Also a heads up for those who either didn't know or haven't watch the film yet, there are in fact two credit scenes, one in the mid credits, after all the title credits of the main cast etc. and one at the end of the final credits. Check out my spoiler review to find out what these scenes include.

Hellboy is out on Digital Download Now, and will be released in the UK on DVD/Blu Ray on August 19th 2019! 



CREDIT SCENES:

The first credits scene reveals Hellboy drunk as hell (see what I did there), singing 'Danny Boy' and talking to his fathers grave, before being interupted by none other than Lobster Johnson himself. Hellboy freaks out and proceeds to fanboy over meeting his childhood hero, who helps push him the right direction, claiming that he won a battle but now he must win a war.

The final credit scene returns us to the presence of Baba Yaga, who is still just as horrifyingly creepy. She appears to be conversing with someone and making a deal, and whilst we hear another voice, it is not revealed who this voice belongs to. It is only revealed that this being is willing to kill Hellboy and make a deal with Baba Yaga to bring her the eye that Hellboy promised to give her during an earlier scene.

It is also revealed that this beings greatest wish to finally be allowed to die, which gives us some clue as to who it could be. In Slavic folklore, which Hellboy draws a lot of it's inspirations from, there is a character called Koschei the Deathless. This character has appeared in the Hellboy series of graphic novels as someone who is a slave to Baba Yaga. She owns his soul, which means that Koschei literally cannot die, no matter what. So this would be the most likely answer to the question "Who is Baba Yaga talking to?".

Again these scenes are all great set ups for a sequel that may never be and I may sound like a broken record but come on! This film was not as bad as people are making it out to be. It's an incredible film with fantastic action sequences and a hellish world to explore.